Sabine FBX-SOLO SL820 Manual do Utilizador

FBX-SOLO Model SM820FBX-SOLO Model SL820QUICK START OPERATIONFor best results, read all operating instructionsbefore using the FBX-SOLO (pages 10-19).

10BEFORE YOU BEGIN...The FBX automatic feedback controller improves anysound reinforcement system. By following thesesimple instructions, you will be

11creased activity at one of those frequencies maycause the filter to go deeper (e.g.., deepen from -12dB to -15 dB). Activating the Lock Fix function

12TURBO MODE SETUPThe FBX-SOLO incorporates Turbo Mode setup,which is indicated by a flashing red Clip LED. Thislightning-quick setup feature cuts the

13same time, raise the system gain and set the FBXfilters one at a time.In some situations, raising the number of dynamicfilters (versus fixed FBX fil

14FBX SETUP INSTRUCTIONSPlace the speakers and micro-phones in the positions where theywill be used during the program.Avoid placing microphones direc

15Slowly raise the inputchannel level fader forthe channel being setuntil feedback occurs.The SOLO shouldquickly remove the feed-back.The first Filte

16HOW TO USE THE LOCK FIXED FEATUREIn certain situations the FBX may mistake music forfeedback and drive the fixed filters deeper thannecessary, like

17and the mic is turnedon. If it is less thanthe threshold, thenoise gate closes,and the mic is turnedoff.You can adjust yourSOLO to four differentthr

18TROUBLESHOOTING TIPSQ. Can I patch the SOLO SL820 after the mixer andbefore the power amp?A. Yes, but only in cases where just eight feedbackfilters

19Q. Why does my SOLO set filters when music isplayed through it?A. Make sure the FBX’s Turbo Mode has beenturned off before you program. Check the si

2CONGRATULATIONS!You now have the state-of-the-art in feedback con-trol. The Sabine FBX-SOLO gives you automaticreal-time feedback control for any cha

20PRODUCT SPECIFICATIONSFILTERSEight independent digital notch filters controlledautomatically from 40 Hz to 20 KHzFilter width: 1/10 octave, typical,

21*Below approximately 200 Hz the feedback filters becomeslightly wider to increase the capture speed of feedback andrumble at these low frequencies.*

22FCC STATEMENTWarning: Changes or modifications to this unit not expressly approved by the party responsible forcompliance could void the user's

23ONE-YEAR LIMITED WARRANTY:THIS LIMITED WARRANTY VALID ONLY WHEN PURCHASED AND REGISTERED IN THEUNITED STATES OR CANADA. ALL EXPORTED PRODUCTS ARE SU

Manufactured by: Sabine, Inc.13301 NW US Highway 441Alachua, Florida 32615-8544 USA+USA (386) 418-2000 • Fax: +USA (386) 418-2001 www.Sabine.com©

3THE BEST FEEDBACKCONTROLLERBefore the invention of the FBX, the most commondevice for controlling feedback was the 31-bandgraphic EQ. However, the

4FREQUENCY RESPONSE TEST: Full Set-Up FBXvs. 1/3-Octave Graphic Equalizer. Test procedure: APA system was set up using a microphone, mixer, FBX,power

5SL820 & SM820 FRONT PANELSPOWERThe On/Off power switch is a two-position pushbutton switch. The LEDs corresponding to all activefilters will blin

6Recommended setting of the Clip Level Adjust:the clip LED should blink intermittently. NOTE: re-gardless of the Clip Level Adjust, setting Unity on t

7OUTPUT UNITY/LINE SWITCHSwitch to Unity (level in = level out) for standard line,insert, or guitar level applications. In the Unity setting,the SL820

8NOTE: Use a TRSconnector at bothends of cable.NOTE: Use aTRS connectoronly at the mixerinsert point.APPLICATIONSSL820: You can use the SL820 withacou

9Note for SM820: Use the SM820with balanced microphones.NOTE: An SL820 can be inserted at line level afterthe mixer and before the power amp on smalle